SANCA – Home of the Spectacular

As we cross the threshold into a new year, I’d like to take a moment to look back in gratitude at a wonderful year of Social Circus.

The powerful impact of Social Circus is increasing in prominence all over the world and, as a result, researchers want to understand what Social Circus does, how it does it, and why it works.

In 2017, SANCA participated in the first evidence-based, national study looking at the socio-emotional benefits of Social Circus on young people in the United States. Organized by the American Youth Circus Organization (AYCO) and the Weikart Center for Youth Program Quality, the study collected thousands of data points over nine months, with information that includes participating youth reporting on their own lives, program staff observations of youth behavior, and external program quality assessments. To support the research, AYCO asked SANCA to contribute to the data collection efforts which resulted in AYCO sending me to experience the rich diversity of Social Circus programs and Social Circus organizations in Saint Louis, Oakland, and San Diego.

Beyond this major study, 2017 saw SANCA share our work out in the world unlike ever before. In June, SANCA participated in the 50th Smithsonian Folklife Festival, bringing our particular approach to adaptive circus to share with the 600,000+ visitors who attended the festival. SANCA was honored by the Smithsonian with being the only organization entrusted to directly engage the public in a variety of circus activities including: tightwire, acrobatics, trapeze, and aerial sling. During our time there, we introduced thousands of visitors of all ages, background, and abilities to their first experience of being a circus artist–it was fantastic!

Adding to this momentum, Social Circus was the theme of the AYCO Youth Festival in August. Hundreds of youth, coaches, parents, and administrators from all over America convened in Trenton, New Jersey for five days of circus, workshops, and performances. To contribute Social Circus leadership to the network, SANCA’s very own Every Body’s Circus manager Alex Clifthorne M.S.W. led a much-needed and very popular workshop on trauma and how to integrate trauma-informed practices into Social Circus work.

Coach Ian works with a group of teens from Seattle Youth Violence Prevention Initiative, teaching human pyramids.

Here at home, thanks to a major two-year grant from the Seattle Office of Arts and Culture and generous donations from community members, 2017 saw the RODA program expand into a school-year-long program. In partnership with the Rainier Vista Boys & Girls Club and the Seattle Youth Violence Prevention Initiative, RODA is using circus as an arts-based tool to cultivate job-readiness skills, in addition to all the other fantastic socio-emotional learning that occurs while practicing circus and developing an ensemble. Did I mention participating youth get a stipend for their work? By creating meaningful pathways to employment, we aim to give young people tools of empowerment and autonomy. Also, did you see SANCA has hired our first employee out of this program?  Have a look at the blog article about our newest Social Circus Coach, Monte.

As SANCA’s Social Circus Program flourishes and grows, Cirque du Monde—the Social Circus program run by Cirque du Soleil—is taking notice. Emmanuel Bouchard, head of Social Circus training programs and partnerships for Cirque du Monde reached out earlier this year to ask if we would like to host a Social Circus training at SANCA. It was an easy “YES!”

Social Circus training includes interactive games

This past October, SANCA welcomed social circus coaches from the four corners of the continental United States to participate in a training on the Cirque du Monde style of Social Circus. Master Social Circus trainers Blake Lanier M.S.W. from Atlanta, Georgia and Julie Thébèrge from Québec City, Québec were flown in to give us a 35-hour training intensive full of discussion, laughter, and enrichment. We explored topics ranging from ethics to the evolution of group dynamics to creativity, and this was only the first of a two-part training!  Following this first training, participants are meant to apply what they’ve learned in the field and return in February 2018 for a second 5-day intensive with Cirque du Monde instructors.

SANCA is dedicated to being a leader of Social Circus and we are grateful for this opportunity to amplify the work on a national scale. Our partnership with Cirque du Monde is strong and they continue to ask us how they can invest in our future. Their investment in SANCA, combined with your incredible support, has sent us a clear message:  Keep it up.

Looking ahead at 2018, we show no signs of slowing down.

SANCA continues our commitment to develop as a leader in Social Circus, increasingly becoming a destination for students, practitioners and research.

The Every Body’s Circus roster is full with classes and camps that are beginning to draw students from across the nation. Social circus trainers from Louisiana, Arizona, New York, and Kentucky will return to SANCA for the Cirque du Monde Social Circus training intensive part II in late February. As for research, mid-January will see the publication of the AYCO & Weikart Socio-emotional Learning Study which will be a major step in understanding the powerful impact that Social Circus has on the lives of young people across the country.

By the way, Social Circus isn’t just for young people!  We are excited to expand our adult Social Circus programming in 2018. Starting in January the new Transformational Women’s Circus (TWC) program will begin with an 11-week session that combines Social Circus with Drama Therapy and a multigenerational ensemble of adult women led by EBC coach Amber Parker. Winter Session is already full, but TWC will be returning in Spring for a second session. Online applications for Spring Session will open in February.

In 2018, we will be joining the international circus community in a year-long celebration of the 250th anniversary of modern circus. Be on the lookout for events and performances celebrating the rich past, present, and future of circus. And in the spirit of Social Circus, we will be taking these festivities into communities all over Seattle!  We invite you all to join us not just in celebration of others, but in taking your own place in the spectacular, vibrant history of circus arts.

Ian Jagel works with a group of teens from Refugee Women’s Alliance (ReWA).

Around Seattle, our partnerships and connections to communities continue to thrive. With programs in schools, community centers, and nonprofit organizations, we are deeply committed to bringing the joys of circus not just to individual students, but to entire communities through classes, performances and events. As a heads up, we are in the early stages of working on an exciting new program with the Refugee Women’s Alliance (ReWA) Teen Program slated to begin in Fall 2018, more details will follow as they develop.

And this is only what is in our 2018 calendar so far. Who knows what other exciting developments will pop up?  For now, please join us in celebrating a new year and a fresh start the Social Circus way–spectacularly!

Circus is the home of the spectacular yet so much more than spectacle:  It is the universal, empowering potential of embodied circus practice. We invite you to share in our collective joy by trying it yourself. Have you signed up for your circus classes yet?

As always, thank you for enriching our community, and happy New Year!

Ian Jagel, Social Circus Director

Spotlight: New Social Circus RODA Coach – Monte Britt!

Make your End-of-Year Gift today to support youth circus programs like Circus RODA!

*RODA – A term used to describe the participatory circle in Capoeira, roda literally means “wheel” in Portuguese. All caps RODA is the name of SANCA’s newest youth program!

From dancing and poetry, to gymnastics and basketball, Monte Britt has always had a love for the arts and being active. So, when he saw an internship advertisement at the Rainier Boys & Girls Club for Circus RODA, a new teen program at SANCA, he thought, “Why not?”

Now, two years later, Monte is starting a career as a SANCA coach and youth mentor in the same program, sharing his love of flips with other students and encouraging them to break out of their shell and not to be afraid to try new things and be themselves.

Get to know Monte Britt!

In high school Monte experienced bullying from other teens and issues with his family because of his sexuality that made him feel like he didn’t fit in. For Monte, the arts and physical activities were an outlet where he could get away from those problems and find avenues of self-expression.

Monte (bottom row, center) supports other students as they learn to build a human pyramid in the Circus RODA project.

SANCA’s Social Circus RODA is a school-year long project for teens to learn circus and performance skills, and create an original show, while also learning life and job readiness skills like time management, collaboration, public speaking and presentation, and leadership.

At SANCA, Monte found a place where he could be himself, and the Circus RODA project gave him an opportunity to gain confidence, and discover a feeling of belonging.

Monte says, “It’s just amazing how you can just come into [SANCA] and be treated like you’re just normal …. You don’t have to be scared. It doesn’t matter what you are, who you are, what color you are.”

For Monte and the other teens in Circus RODA, it was an important discovery to realize that they didn’t feel pressured to do everything perfectly. Instead they were encouraged to get up and try again, or try something new.

“[At SANCA] you could do one bad flip and all you hear is the coach clapping and cheering you on and just saying OK we can do it again, or if you don’t want to do it again or feel comfortable, then we can do something different. They’re not going to pressure you to do something that you don’t want to do. And that’s why it kind of, I think, that’s what kept most kids here; because they feel like they didn’t have to be pressured to do something and it was always something they can look forward to doing.”

We know it kept Monte coming back! He came back for the second pilot version of the project, and quickly became one of the leaders of the group.

A favorite moment in the program for Monte was when the group got the idea for their showcase. “The Break Out” was RODA’s spring show in 2017, covering topics from mass incarceration and institutional racism to the Black Lives Matter movement and the participants’ dreams for their own future. Shortly before the show’s scheduled performance, police shot and killed local resident Charleena Lyles in her home. After the show, students and attendees participated in a community discussion to discuss the topics the show addressed.

“One of my friends she did the spoken word and it was basically based around shootings that had been happening, issues that are just happening politically. And it really touched me and most of the audience. Basically, it was it was the first program that touched me to do The Break Out and other kids also had the same vision because there was a lot that happened that year.”

For Monte, Circus RODA also became a means of personal transformation. By working hard in Circus RODA, Monte realized that “It takes a lot a lot of preparation. A lot.” He started to feel more comfortable with being social, and as the oldest teen, he discovered he wanted to be a good role model and leader to the other students in the program. Monte says he feels like he went from the “terrible two’s” as a high school student, to feeling like a leader as a youth mentor and coach.

Monte started working at SANCA in October as our newest coach at the beginning of the third year of the Circus RODA project, and he has a lot to share with the teens who are just getting started. “You don’t have to come in with confidence because once you start you’re going to want to do more and more, because you’re going to see this, and see that, and you’re going to be like I want to do that.”

“SANCA is inviting because they’re a big family. They just have a big heart,” says Monte. “One of the dreams I have had is about going in circus professionally … like acrobatics and back handsprings, flips, back flips, a double backflip in the air! Like just stuff like that. I have thought about that a few times and I’m like really thinking about pursuing it, and I really, really, really want to be a contortionist.”

You can support our Circus RODA students by making a gift during our end-of-year campaign. No amount is too small, every contribution can make a difference! You can give online or even set up a monthly giving plan for ongoing support.

When You Know You’re Strong – Circus Strong!

Make your End-of-Year Gift for SANCA’s Youth Scholarship Fund today!

One of the most amazing things about circus is that it empowers Every Body.

Julaine in the middle! Performing a 3-high during “Acro-Biographies: Flipping the Page.” (2017) – photo by John Cornicello

Whether building confidence, overcoming fears, or becoming stronger in mind and body, it’s that moment of “I DID IT!” that circus provides which can transform a life.

Julaine Hall knows this better than most. You’ve probably seen Julaine on stage in a Cirrus Circus show – maybe as recently as this fall for “Acro-Biographies: Flipping the Page.” At 13 years old, she’s one of the stars of Cirrus Circus, and was invited to perform at Teatro ZinZanni’s fall 2016 family matinee shows. When she’s not on stage, then she’s working hard, practicing and rehearsing at SANCA at least five days a week on her Chinese Pole act and other circus skills.

Some of her other favorite apparatus include corde lisse, static trapeze, and aerial straps. If you know circus, then you know these all require a lot of strength! Julaine enjoys the challenges these circus apparatus give her and she says, “I may not have been born the most flexible, but I feel like my body is built for more strength based skills and acts.”

Being circus strong is a great foundation for fitness, for performance, and for life. As Julaine looks toward her future, she hopes to one day attend École de cirque de Québec – the circus training center in Quebec City and to launch a professional career in circus performance.

Julaine hangs out during “Acro-Biographies: Flipping the Page.” (2017) – photo by John Cornicello

“I think about circus all the time. It’s a lot of my life.”

Performing on Chinese Pole during “Up, with a Twist.” (2017) – photo by John Cornicello.

But that’s not all! Julaine is also thinking about what comes after performance, and she’s inspired by SANCA’s resident doctor of physical therapy, Emily Scherb – who was also a circus artist. Like Emily, Julaine wants to balance her performing career with the knowledge and skill to carry forward in the circus community as a caretaker and physical therapist. With a unique understanding of the challenges and demands that circus and performance place upon the body, she’ll be able to give back to the circus community even after she retires from performance.

Julaine’s success in circus and her ambitions for her future career might not have been possible without the support of SANCA’s Youth Scholarship Fund. Julaine was able to access the fund at a time when her family was dealing with expensive medical costs, and she didn’t have to give up on her passion for circus. Her commitment and achievements speak to how vital SANCA’s scholarship fund is to providing access to all youth in our community.

You can support our Youth Scholarship Fund by making a gift during our end-of-year campaign. No amount is too small, every contribution will make a difference for youth like Julaine who are discovering through circus that they are strong!

Meet Mose – A SANCA Student

Make your End-of-Year Gift today to change the life of a teen like Mose!

“When we first moved to Seattle, life was hard because it was a new place. At SANCA I felt included. Like I belonged.”

The first day in a new school can be really tough for almost any kid.

For youth who struggle with connections and social skills that others take for granted, moving to a new home and starting a new school where you don’t know anyone can be terrifying.That’s what it was like for Mose when he first moved to Seattle and started 5th grade at a new school. For Mose, everything seemed too loud and chaotic, and he retreated, covering his ears with headphones and pulling up his hoodie. He became more defensive and isolated.

Alex, Mose, and his mom, Valerie.

Alex, Mose, and his mom, Valerie.

At the same time though, Mose wanted to fit in and do things that other kids were doing like sports and summer camp activities. He really wanted to learn how to do flips, but he didn’t believe that he was physically capable of doing the things other kids were doing. So his mom, Valerie, started looking for options that would work for Mose.

And then his mom found out about SANCA.

Valerie spoke with Coach Alex about Mose’s challenges, and Alex had the perfect solution for acrobatic classes for Mose. Alex leads SANCA’s Every Body’s Circus (EBC) Program, which gives kids who have physical, emotional, or developmental disabilities the same opportunities to participate in fun, healthy, confidence-building circus activities that other kids do.

Mose started taking classes with Alex, and it wasn’t long before she discovered that Mose had a great imagination and that he really liked telling stories. Together they developed an epic story that let Mose and Alex play out parts of the story while they were doing circus activities and propelled their lessons from week to week.

Valerie and Alex noticed that Mose’s physical abilities improved, but more importantly, he stopped comparing his abilities unfavorably to others, and he became excited about the new things he was learning.

At the same time, Alex was working with several other boys whose challenges were similar to Mose’s. She discovered that they all shared a passion for the same video game and decided that forming a group class for the kids based on their shared interests would be a great way for them to build friendships and social connections while they learn circus skills.

“Being at SANCA is the best part of the week because it starts the weekend!” – Mose

Now, Mose takes a weekly group circus class and a class with Alex. In the group classes, in addition to learning circus, the kids get to:

  • Learn to work as a team, and take turns being the leader.
  • Learn to express their feelings, and learn how to say “no.”
  • Develop a sense of personal space.

Mose is learning to trust people, and now he has a safe place to reflect and talk through things that are happening in his life.

Circus can change lives — and you can help be part of that change too! Alex’s EBC program is in such high demand that more than 10 kids are on a waitlist, and some may have to wait as long as a year before they can take EBC classes at SANCA.

The only way we can help these kids is by hiring and training more coaches to work with them. With a larger team of trained coaches SANCA will be able to provide more group classes, summer camps, and one-to-one lessons for youth who need extra support. Often this includes joining regular circus session classes with peers in their age group, with just an extra coach on hand to help out when needed.

Make your gift to SANCA today to guarantee life-changing opportunities for kids like Mose.
$41.89 — covers the cost of two 1-hour circus classes.
$253 — underwrites a 12-week session of circus classes.
$1,005 — gives a student circus classes for an entire year!

We cannot do this work without your help.

With deepest gratitude,

Kristina Wicke
Executive Director

P.S. Send your gift of $41.89 or more before December 31st to cover the cost of two 1-hour circus classes for kids like Mose. If your employer matches, you can double the power of your gift! You can also give online or set up a monthly giving plan.  

2017 Community Update & Letter from the Executive Director

 

READ OR DOWNLOAD THE COMPLETE SANCA 2017 COMMUNITY UPDATE


As I sit here sipping my coffee, watching the sun come up, listening to what seems like the beginning of the endless rain of the Seattle winter, I look back over this past year at SANCA and I’m endlessly grateful.

Grateful for our staff — who show up each and every day to enrich the lives of our students and make every day a little more fun. With more than 1,000 students and families coming through SANCA’s doors every week, it’s a busy circus! It’s a joy to see all the activity in SANCA, from tots learning to tumble, to adults learning new ways to work with their bodies, to our staff and visiting professionals who continue to amaze and inspire all of us toward ever more challenging feats of circus.

  • Youth Scholarships: I’m very pleased to share that SANCA has continued its commitment to make circus possible for any child through our need-based scholarship fund. This year we gave $221,645 in scholarships to 847 youth to take circus classes or participate in Social Circus and Every Body’s Circus.

Grateful for our partners — who help us bring circus to more kids in schools and community centers throughout Seattle. We’ve continued our work with wonderful partners like Broadview Emergency Shelter & Transitional Housing; Powerful Schools; Refugee Women’s Alliance; Rainier Boys & Girls Club; Seattle Youth Violence Prevention Initiative; and the South Park, Delridge, and Garfield community centers.

  • Circus works! Over the past year, SANCA partnered with the American Youth Circus Organization (AYCO) to participate in a Socio-Emotional Learning Study conducted by AYCO and the Weikart Center that unequivocally demonstrated that circus arts improve the socio-emotional health of youth. Compared with national data of youth development programs, social circus has proven to be among the top-ranking, exemplary programs.

Grateful for YOU, our supporters — who have faith in us and the work we do to bring circus to the world — which is exactly what we did this year! I’d like to share with you some of this year’s highlights and the impact you have made with your support – read or download SANCA’s 2017 Community Update.

I am grateful. Each and every day.

Kristina Wicke
Executive Director

The Acrobatic Conundrum return to Seattle with TWO new shows!

The Acrobatic Conundrum, the contemporary circus group founded by Terry Crane, have spent the last three months touring the western United States with their show, Love and Gravity. Now they have returned to Seattle presenting two new shows: a cabaret, “Volume 5,” and an evening-length performance, “The Fig Tree Waltzes.”

The Acrobatic Conundrum have been artists-in-residence at SANCA briefly this fall, in preparation for their shows at 12th Ave Arts, and we caught up with Terry after one of his training sessions at SANCA to ask him a few questions.

SANCA – “A circus artist trains and works so hard in bringing their art to the stage. Powering up with healthy food must be very important. What is the best snack to pair with your apparatus of choice?”

Terry: ” I just started learning multi-cord. Definitely pairs well with spaghetti. I guess that makes me the meatball.”

SANCA – “What do you take with you on the road to help you feel like you aren’t a homeless vagabond?”

Terry: “Not a homeless vagabond… what an idea. I take a posse of 5 other circus artists so I feel like a wandering saltimbanco. I also take an e-reader everywhere so my whole library can follow me. ”

SANCA– “Finish this sentence: At the end of a best day in circus I feel…”

Terry: “…like an underground rockstar. Top of the charts, but living out of my mom’s garage. I’m not really… I swear. Circus makes me feel like a happy human; strong, agile and with a subtle swagger.”

You can see The Acrobatic Conundrum perform in December, but don’t hesitate or they’ll be off again on a new adventure! Tickets for their shows can be found here.

 

Coach Sam Joins Le Rêve!

SANCA’s hand balancing and acrobatics coach, Sam Lewis, recently got a part with Le Rêve – “The Dream” at the Wynn Resort in Las Vegas! Set on an aquatic stage, Le Rêve is a show about uncovering the subconscious, featuring aerial-acrobatics, water ballet, synchronized swimming, and comedy. Founded by the co-founder of Cirque du Soleil, Le Rêve has won “Best Show in Vegas” several years in a row. You may have seen Sam training in the South Annex working on his hand-balancing and chair-balancing routine, or even taken a class with him!

Originally from Spokane, Washington, Sam is a professional acrobat with more than five years of professional performance experience in both hand balancing and hand-to-hand acrobatics. He has trained under artists in Cirque du Soleil and world champion sports acrobats. He also has experience coaching hand balancing classes and teaching private lessons and workshops all around America. Sam has been coaching at SANCA for about a year.

In 2014, when a hand-to hand move went wrong, Sam snapped his bicep and required surgery. As fate would have it; his first day with Le Rêve will be the fourth anniversary of his surgery. As he prepares to pack up and head on to the next adventure, say hi if you see him training!

We know we’ll see him down the road.

Congrats Sam!

Lyla Goldman Goes to Circus School – in Finland!

SANCA gives a heartfelt CONGRATULATIONS! to Lyla Goldman, who has been accepted to Salpauksen Sirkusartistikoulutus — The Salpaus Circus Center in Lahti, Finland, and hopes to major in unicycle and aerial fabric.

Photo: Amira Silverman

Lyla was one of SANCA’s earliest students and members of Cirrus Circus (originally known as the SANCA Youth Performance Company). She practically grew up at SANCA over the past ten or so years, riding around the gym on her unicycle, often in the company of the Zuckerman twins – Anna & Leah — with whom she formed a unicycle trio act – Tricycle – that was a mainstay showstopper in Cirrus Circus shows over the years. Lyla also took to aerial arts early on, and has performed solo and group fabric, trapeze, and lyra aerial acts. She has performed at Cirrus shows throughout the Seattle area including at Moisture Festival, Seattle Center’s Winterfest, Teatro ZinZanni, and of course, at SANCA.

With Cirrus Circus Lyla has traveled and performed in Europe at the London International Youth Circus Festival in England, at NoFit State in Cardiff, Wales, and at Island Circus in Sylt, Germany. She has also twice toured with Cirkus Smirkus  along the East Coast and worked at the Smirkus summer camp.

Photo: Amira Silverman

Salpauksen Sirkusartistikoulutus – The Salpaus Circus Center is a vocational school in Lahti, and offers the only vocational circus degree in Finland. The school helps their students to become unique, creative, versatile, and technically highly skilled artists with a professional attitude. A healthy ratio of humbleness, respect, and self-esteem are valued highly in the educational environment, and the school feels one of the sources of success in the daily work is the powerful dynamic of group collaboration in aiming toward mutual goals. Salpaus Circus Center enables the training of almost all circus disciplines, and provides the opportunity to create shows and perform in a professional environment. One of the main annual events is a unique student-produced Kukko Festival.

Congratulations Lyla! We wish you all the best in your future circus career!

Coming Soon – New Tumbl-Trak!

Tumbling students at SANCA can look forward to an exciting new extended Tumbl-Trak with a new spring bed, coming just in time for our Fall Session classes! Students can also look forward to new aerial fabrics and updated rigging blocks for our aerial equipment.

A big thank you to 4Culture – the cultural funding agency for King County for providing a $4,000 equipment grant. Thank you 4Culture!

Proposition 1 — Providing Arts & Culture Access for All in King County

by Madeline Anderson
SANCA Development Assistant

 

Social Circus Director Ian Jagel works with a group of teens from Seattle Youth Violence Prevention Initiative

Voter ballots were mailed today for the August King County Election! We are really excited about the prospects of the upcoming election here at SANCA because Proposition 1 on the ballot could provide up to $65 million annually in funding for the arts county-wide, and represents a significant boost in funding for SANCA’s circus arts programs.

This August, King County voters will have the opportunity to increase public access for arts and cultural organizations, like ours. Proposition 1 proposes a 0.1% increase in our current sales tax to fund a grant pool to be distributed to arts and culture organizations in King County. Funds would be directed toward programs that increase access to geographically or economically disadvantaged youth. The program is estimated to cost the average family only $30/year, and will dramatically increase the availability of equitable cultural and arts programming in King County. We believe this is a cause everyone in our community can rally behind.

All organizations that receive grant funds will be held accountable in their pursuit of providing equitable and accessible programs. Granted organizations are responsible for maintaining accurate documentation measuring program benchmarks, visitors served, and community impact. Funds will be distributed through 4Culture, a trusted, well-grounded arts and culture funding organization which has been granting funds and providing contract oversight for more than 40 years.

What this means for SANCA

A child from Helper Hands learns to balance while taking an Every Body’s Circus camp.

At SANCA, we have always believed that every child deserves the right to access arts education. Arts and culture programming focused on access and equity bring an important value to the community. We know, for example, that if youth currently experiencing homelessness have the opportunity to express themselves through art and build community, the impact can be life changing. If passed, Proposition 1 may provide a huge opportunity to increase our Social Circus outreach programs, giving even more youth the opportunity to experience the joy of circus, reduce isolation, build community, and develop healthy life habits.

The proposition includes the stipulation that 20% of granted funds go toward “Public School Access.” What this means is that granted organizations must partner with local schools to ensure equitable access to programs. This is something near and dear to our mission at SANCA, where we have already partnered with more than 30 local schools and community centers in our Social Circus programs. An increase in funding directed to these programs would expand our reach and allow us to work with even more youth.

Stable funding for our Social Circus and Every Body’s Circus programs will also give us the opportunity to do things like offer paid internships for older youth, give staff the opportunity to participate in race and equity training, and provide specialized training for working with students with disabilities. Proposition 1 funding would even help pay for bus fare so that transportation isn’t a barrier to accessing cultural and arts institutions like SANCA. These improvements would help us better serve our community and expand access to programs, all good things!

What you can do
Talk to your friends about what being a part of the SANCA community (or any other community arts organization) has meant for you and your family. Share your experiences and talk to your friends about the impact of expanding access for our community.

If you have a SANCA story you’d like to share with us, we’d love to hear from you! Feel free to email us at development@sancaseattle.org. And most importantly, don’t forget to vote in the August election!

For more information about Proposition 1, check out their website at www.culturalaccesswa.org. If you are interested in volunteering, visit https://accessforallwa.org/get-involved/volunteer.