Tag Archives: terry crane

The Acrobatic Conundrum return to Seattle with TWO new shows!

The Acrobatic Conundrum, the contemporary circus group founded by Terry Crane, have spent the last three months touring the western United States with their show, Love and Gravity. Now they have returned to Seattle presenting two new shows: a cabaret, “Volume 5,” and an evening-length performance, “The Fig Tree Waltzes.”

The Acrobatic Conundrum have been artists-in-residence at SANCA briefly this fall, in preparation for their shows at 12th Ave Arts, and we caught up with Terry after one of his training sessions at SANCA to ask him a few questions.

SANCA – “A circus artist trains and works so hard in bringing their art to the stage. Powering up with healthy food must be very important. What is the best snack to pair with your apparatus of choice?”

Terry: ” I just started learning multi-cord. Definitely pairs well with spaghetti. I guess that makes me the meatball.”

SANCA – “What do you take with you on the road to help you feel like you aren’t a homeless vagabond?”

Terry: “Not a homeless vagabond… what an idea. I take a posse of 5 other circus artists so I feel like a wandering saltimbanco. I also take an e-reader everywhere so my whole library can follow me. ”

SANCA– “Finish this sentence: At the end of a best day in circus I feel…”

Terry: “…like an underground rockstar. Top of the charts, but living out of my mom’s garage. I’m not really… I swear. Circus makes me feel like a happy human; strong, agile and with a subtle swagger.”

You can see The Acrobatic Conundrum perform in December, but don’t hesitate or they’ll be off again on a new adventure! Tickets for their shows can be found here.

 

Artists-in-Residence: Acrobatic Conundrum present “Love & Gravity”

April 8-10, Broadway Performance Hall

In this new, thrillingly beautiful work, Acrobatic Conundrum transports audiences to a captivating world seemingly free of the bounds of physics, but not free of the capricious struggle for human connection.

Fluent in the language of acrobatics, this cast risks all on a quest to tell honest accounts from an uncharted territory. Real life romances are portrayed through mesmerizing juggling acts, breathtaking aerial and partner acrobatics — all while balancing on a bar 20 feet in the air! This show will upend everything you thought you knew about these two laws of attraction: Love & Gravity.

Features: Carey Cramer, Terry Crane, Scotty Dont, Erica Rubinstein, Xochitl Sosa, Ty Vennewitz, and local special guests, Alex Allan and Anna Thomas-Henry.

Evening Shows: Advance Purchase $20, Door Price $25
Matinees: Advance Purchase $17, Door Price $22
VIP reserved seating available for all shows: $45, $100

Tickets: https://www.artful.ly/store/events/8470

Acrobatic Conundrum presents “The Language of Chance”

Acrobatic Conundrum presents “The Language of Chance”

January 30 – February 8

For all dates and times and ticket link please visit https://sancaseattle.org/calendar/

SSCF_081514_Conundrum_TC_rope_cornicello_04Acrobatic Conundrum premieres “the Language of Chance”: two takes on contemporary circus, one extraordinary evening of new works.

Since its debut in 2012 Acrobatic Conundrum has taken artistic risks to inspire and connect with audiences through the medium of circus arts. “The Language of Chance,” follows suit on a grander scale, with two new works created exclusively for the troupe. Both pieces are inspired by themes from an enigmatic story from magical realist author Jorge Luis Borges, The Library of Babel.

Seattle choreographer/director KT Niehoff created the first piece, “A Book is not a Ladder,” in which contemporary dance and circus meld in a visually stunning world. Niehoff designed the striking set and costumes, and made the original sound score in collaboration with electronic musician Pietro Ravanni. In the piece, the acrobats find themselves at odds between the sensations of falling forever, and the Sisyphean task of looking for story in a nonsensical world.

Elizabeth Klob—director of the UMO Ensemble—created the second piece in collaboration with the company. The work evokes a tale of missed connections and serendipitous endings, told using through physical theater, clown, and circus arts. With an original scenography and additional music by Ravanni, the piece transports viewers on an unexpected, labyrinthian journey.

This group of acrobats blur the lines between dance, theater, and circus, inventing their own form of storytelling. This piece is the must-see circus event of the season.