Tag Archives: acrobatics

Meet SANCA’s P3s! (Part 2)

SANCA is very excited to welcome the latest group of young circus artists to the third year of our Professional Preparatory Program (P3)!

The P3 program, now in its third year, offers training for young adults seeking professional careers in the circus arts. The 9-month program provides 30 hours per week of coursework designed to prepare artists for auditions and entry into multi-year circus programs. Training includes four areas of focus:

  • Acrobatics (handstands, tumbling, trampoline, partner acrobatics)
  • Aerial (static trapeze, rope, fabric, hoop, Chinese pole)
  • Dance (ballet, modern, choreography)
  • Theater and Act Creation (improvisation, physical storytelling, acting, mask and clown)

The 9-month academic year is divided into five sessions, during which students first learn a baseline of skills, and then create two acts in the specialties of their choice. In the final session, the students create and perform an ensemble show. Throughout the year, students have the opportunity to assist in the production aspects of other SANCA productions and present works in progress in informal settings for development and constructive feedback.

P3 Group Acro

SANCA’s 2015-16 P3 students get to work on their first day at SANCA!

Coming Blog Posts will introduce SANCA’s P3 students. Today, please welcome Chris Bess and Aleasha Lynn Rosette Holtby to SANCA and the P3 Program!


Chris Bess HSChris Bess hails from Raleigh, North Carolina. He began his is career in physical arts as gymnast, later branching out into parkour, free-running, dance, and tricking. Tricking is a multi-disciplinary art that combines tumbling, martial arts, breakdancing, and strong sense of aesthetics.

Chris says that in Circus Arts, he’s found a way to put all these disciplines and skills together as a performance art that has diversity and creativity that’s not always available in other disciples.

He wants to communicate with movement, and feels most expressive through circus as a medium for making art and putting it into the world. Chris is interested in pushing boundaries, innovating, and creating things that people have never seen before.

Chris discovered SANCA when a physical theater teacher at UNC Charolette, Carlos Cruz, told him about circus and SANCA. Carlos is a circus and aerial straps artist originally from Do Jump! Dance Theatre and Imago Theatre in Portland, Oregon.

Of SANCA, Chris says the first few weeks have been really good and that it’s great to be in a regular training schedule. He wants to focus on Circus Arts at SANCA, with a vision of performing circus and making a living performing. He’s been primarily a soloist, but is interested in doing more partner and ensemble work.

He plans to take what he learns at SANCA back to Raleigh, where he’s involved with Raleigh Culture Project – a group dedicated to bringing all the movement disciplines together and fostering connections with musicians, visual artists, media, video, and the Internet.

Aleasha Holtby HSAleasha Lynn Rosette Holtby is 26. She was looking for new challenges after practicing yoga for five years, and discovered contortion. Shortly after that she started taking aerial classes and fell in love with all of it. She is specializing in Lyra (aerial hoop).

Aleasha wants to master the Lyra and learn intense tricks like elbow rolls and the one-foot toe hang. She’s very excited to expand her acrobatic and dance skills to create a captivating acro-dance. She also is excited to develop more skills all aspects of circus arts so that she can bring her knowledge home to teach it to others. One of her professional goals is to open her own aerials/yoga studio.

She chose to study at SANCA because it offered a full time program, and she wants to spend a full year immersed in circus! Aleasha looks forward to becoming proficient in each discipline, mastering the Lyra, and discovering passions in the circus arts.

AleashaHoltby

Aleasha performing a Lyra and contortion act.

Cirrus Circus presents “Hotel”

Hotel poster FINALsmHOTEL is the tale of a once-grand institution that has fallen on hard times. A thick layer of dust covers the concierge desk and the rooms sit unoccupied. When two unsuspecting guests arrive to stay the night, little do they know, they are in for a wild ride. With portraits that swing out of their frames, a fountain that comes to life, acrobatic bellhops and juggling ghosts, it’s clear…this is no ordinary hotel!

Cirrus Circus is known throughout Seattle as one of the most accomplished youth circus groups in the region. The troupe is in demand locally, performing at many of Seattle’s popular festivals and events, including Moisture Festival, Seattle Center’s Winterfest, the Georgetown Carnival, and more. In July 2014, Cirrus Circus had the honor of performing internationally at the London International Youth Circus Festival in England, at No Fit State in Cardiff, Wales and Island Circus in Sylt, Germany.

HOTEL will feature all-new original numbers on trapeze, aerial fabric, aerial hoop, and Chinese pole, as well as contortion, club juggling, unicycle, partner acrobatics, clowning, and more.

HOTEL is a collaboration between the Directors and members of Cirrus Circus, with costume design by Milla Voellinger, set by Morgan Sobel, acrobatics consulting from Jacob Skeffington and Erica Rubenstein, and select originally composed music by Tristan Moore.

Rachel Nehmer, Interim Cirrus Circus Managing Director
Arne Bystrom, Cirrus Circus Assistant Director

Meet SANCA’s P3s! (Part 1)

SANCA is very excited to welcome the latest group of young circus artists to the third year of our Professional Preparatory Program (P3)!

The P3 program, now in its third year, offers training for young adults seeking professional careers in the circus arts. The 9-month program provides 30 hours per week of coursework designed to prepare artists for auditions and entry into multi-year circus programs. Training includes four areas of focus:

  • Acrobatics (handstands, tumbling, trampoline, partner acrobatics)
  • Aerial (static trapeze, rope, fabric, hoop, Chinese pole)
  • Dance (ballet, modern, choreography)
  • Theater and Act Creation (improvisation, physical storytelling, acting, mask and clown)

The 9-month academic year is divided into five sessions, during which students first learn a baseline of skills, and then create two acts in the specialties of their choice. In the final session, the students create and perform an ensemble show. Throughout the year, students have the opportunity to assist in the production aspects of other SANCA productions and present works in progress in informal settings for development and constructive feedback.

P3 Group Acro

SANCA’s 2015-16 P3 students get to work on their first day at SANCA!

Coming Blog Posts will introduce SANCA’s P3 students. Today, please welcome Cameron Clarke and Katheryn Reed to SANCA and the P3 Program!


Cameron ClarkeCameron Clarke is 19 and hopes to become a circus generalist and expand on every discipline that he can while at SANCA because there is so much variety and so much to learn. Cameron says:

“I became involved in circus when my family moved to Belgium for three years. I joined an afterschool circus program called Circus Avanco in Aalbeke, Belgium. I hope to audition at École de cirque de Québec in 2016 and attend their three-year professional training program. I chose SANCA for my preparatory study because the facility is excellent and it will be a good way to accomplish all of the training I seek in one place. The circus community in Seattle has been very welcoming and I am excited to live here.”

Katheryn ReedKatheryn Reed is 28 and has been a dancer all her life, but she says it didn’t always feel like it was a viable career, that something was missing, and that her body felt disconnected.

“About 5 years ago” Katheryn says, “I started training in partner acrobatics focused in L-basing with the Seattle Acro group. My whole world opened up, and with the increase of strength in my core and upper body, I finally felt like one piece when I danced.”

Katheryn has been involved with the circus community in Seattle for some time now, working closely with The Acrobatic Conundrum, stage managing for their show The Way Out, and choreographing their show Secret Passages.

“Through continuing to meet new people I became the Captain for the Seattle Chapter of Circus Now, and over the past year we have produced over 10 fantastic and free circus-related events supporting Seattle’s amazing circus community.”

“I chose to train with SANCA because it has always been my circus home, says Katheryn, “It’s welcoming and friendly with amazing facilities and talented teachers. I love ground acrobatics, hand to hand, and Cyr wheel. I just felt like I could not take enough classes to see the progress I wanted, so the full-time P3 Program seemed like the perfect fit!”

Katheryn hopes to continue to perform in Seattle and tour in the longer term. She loves choreographing for circus and hopes collaborate and produce circus in the future. You can also find her dancing and performing professionally with Cafe Nordo and Marxiano Productions.