Author Archives: Max Clabaut

Meet Amber, The Fatcrobat, SANCA’s hardest-working student

tumblr_inline_ni5hhgFxHT1r600ylWhen Amber Parker, a case manager with the UW Alcohol & Drug Abuse Institute, first came to SANCA she expected to learn new things and get some exercise, but she never expected how rewarding it would be to join a community of supportive, enthusiastic people who would encourage her and help her discover abilities and interests she didn’t even know she had.

Amber was inspired to give adult circus classes a try because a friend in Colorado was learning aerial silks. From watching online videos, she thought it seemed like accessible activity for a heavier person. In her Aerial Fundamentals class, she realized that aerial silks were more difficult than she anticipated, but she found many other things that she could do that she hadn’t expected to be able to do. She discovered strength and flexibility that she didn’t know she had, and she fell in love with the Static Trapeze.

Many of the benefits of circus are measurable – she lost forty pounds, reduced her high blood pressure, and reduced her daily stress – but Amber says it’s the intangible benefits that really make the difference. She feels powerful and in control of her own body for the first time in her life. Her past eight months of taking circus classes has increased her self-efficacy and boosted her self-esteem.

tumblr_inline_ngyveb7U6h1r600ylAmber points out that her progress is measured and appreciated on its own merit, and at SANCA, she doesn’t feel compared to others. Every day she trains, she feels supported, encouraged, and acknowledged for her efforts. She credits her aerial coach, Leslie Rosen, and other SANCA instructors with making circus accessible by modifying exercises to accommodate the individual. Smaller, step-by-step progressions have made it possible for her to achieve more and build up to more advanced circus skills.

Amber wants others to know that “Circus is a great way to discover the full range of your own physical abilities. You are always put in a position to achieve success.”

You can follow Amber’s circus success on Tumblr – The Fatcrobat

Meet Elijah

Elijah Calhoun 2Elijah has grown up at SANCA, starting with Baby & Me classes with his mother Rebecca six years ago. At first, they came to SANCA for fun, but as Elijah grew he struggled with movement and balance — they discovered that he had Sensory Processing Disorder and motor delays. He took longer to learn movement skills such as learning to walk up stairs, and cross-body motions were harder for his body to understand. Elijah needed to be talked through how to move his body.

His physical and occupational therapists agreed that classes at SANCA offered great complimentary activities for his therapy. More importantly for a young boy who didn’t like traditional sports, circus classes kept him happy and having fun. With lower muscle tone than normal, it was important that Elijah stay physically active, and circus kept him engaged without the stress that comes from competitive sports.

As he grew older, Elijah enrolled in one-on-one classes through SANCA’s Every Body’s Circus program. This enabled his coach, Tyler, to spend more time working with him in a setting that kept Elijah more active. It also gave Tyler the opportunity to re-enforce Elijah’s occupational and physical therapy. Tyler even met with Elijah’s therapists to gain a better understanding of his needs and challenges.

Elijah says, “Circus is fun! I like aerial a lot, but only about a foot above the ground.”.

elijah-aerial-fabricElijah used to find jumping very difficult and he was afraid to try it. Tyler was able to break down the skill of jumping into very small steps that were easier to learn. Tyler could see that Elijah was able to jump, but that he just needed the confidence to do so. Starting with small jumps, Tyler held Elijah’s hand; they eventually progressed to several jumps in a row together. Then Elijah held just one of Tyler’s fingers while jumping, and later Tyler followed behind Elijah, holding the back of his shirt as he jumped. Tyler shows Elijah that he can do a skill, and teaches him in small steps, which helps Elijah overcome his fear and build his confidence.

Rebecca, Elijah’s mom says, “Even if you don’t think your kid is a ‘circus’ kid, give SANCA a try. Every kid finds something here that they love to do.”.

Now, Elijah participates in playground activities like climbing on the jungle gym, playing tag, and sometimes even soccer. He no longer needs occupational and physical therapy. His classes at SANCA keep him active, healthy, and learning new skills. Elijah says the thing that his circus classes help him with the most is having fun.

Family Circus for Father & Son

Paul & Dawson West smDawson & Paul’s Story

Dawson and his Dad Paul first learned about SANCA because several of Dawson’s friends were taking classes at SANCA. It sounded like a great place to do cool things, and they decided to take the Family Circus class together so that they could spend more time with each other having fun.

Dawson West smBoth Dawson and Paul wanted to get more exercise, and Paul thought it was also important to show Dawson that adults need to exercise and learn new things – it’s not just for kids. They both benefit from taking class, and say it’s a lot of fun to do it together. Each has different strengths and they are both learning new skills. Dawson’s favorite activity is trampoline, while Paul enjoys juggling and tight wire.

Discovering that they can do something that didn’t realize that they could do is a great confidence builder. When asked what he is getting better at, Dawson shouts, “Bug Jumps!” Bug Jumps are a trampoline skill involving  bouncing repeatedly on one’s back like an overturned bug. It requires a lot of abdominal control and strength, it’s not an easy skill! Paul West TW e crop smPaul says that learning to walk the tight wire was a big moment for him.

Both Dawson and Paul believe that people who come to SANCA will be surprised at what they can learn to do.

Paul says “It’s great to be around other people who are learning amazing things and facing their own challenges – working at their edge. We really enjoy being invited to watch others as they demonstrate a new skill.”

Learn to ride a unicycle: It really works your legs and core

•  Fitness  •  Life  •  Pacific NW Magazine  •  Wellness
Originally published by Seattle Times April 3, 2015 at 11:15 am

Unlike riding a bicycle, unicycles require constant tension in the legs, a lot of core and staying in your seat for balance.

 

Fitness - Unicycling

SANCA instructor Nick Harden demonstrates a balance and a hopping exercise on the unicycle to Hannah Bittner, middle, and Aleksandra Kogalovski. (Benjamin Benschneider)

By Nicole Tsong
Special to The Seattle Times
AFTER 50 MINUTES on a unicycle, clutching rails and wobbling all over the place, I asked instructor Nick Harden if he promises people they will ride a unicycle on their own by the end of the 12-week session.
He smiled. “I don’t promise.” But you most likely will, he clarified.

After taking my first unicycle class, I could see why he didn’t make that promise. Nick’s skills as a teacher are lovely. My skills on a unicycle were decidedly not.

I went to SANCA (the School of Acrobatics & New Circus Arts) in Georgetown with fun, zany classes that unleash your inner child, generally alongside kids who pick up this circus thing fast. The unicycle class is for kids ages 8 and up. There was one other adult for each class I joined, and we were grateful for the company.

Before you can ride a unicycle, you have to get up on a unicycle. We worked at a set of rails lined up to make unicycling lanes. Each time I grabbed the rails to haul myself up, I wondered if it would get easier.
On the other hand, falling off your unicycle is not hard; luckily it’s easy to land on your feet.
Keeping your head up while sitting on the unicycle is also challenging. It’s tempting to look down to make sure the floor isn’t coming fast and furious.
After learning to get up and down, we practiced riding slowly between parallel rails, gripping the rails tightly. Nick mostly let us ride, while a much younger unicycle prodigy named Penelope rode around, grinning happily and without any apparent need for help.
Unlike riding a bicycle, unicycles require constant tension in the legs, a lot of core and staying in your seat for balance. It was tempting to stand out of the seat, and Nick kept reminding us to sit down.
We also practiced jumping the unicycle like a pogo stick. This was the one trick where adults had a weight advantage over kids. I was even willing to let go of the rails to bounce around.

We spent most of the class working on riding and trying to pick up speed. If we felt balanced, Nick told us to play with clapping our hands. He also encouraged us to go to the outer rail and hold just one instead of two. Surely that wasn’t going to be so hard, right?

Wrong.
By the end of the class, I was dripping sweat. My legs were exhausted from gripping to stay upright, and I was in even deeper admiration of Nick’s ability to jump rope on a unicycle.
I came back for a second class, hopeful that muscle memory would make it easier. I was right. Getting on felt easier, and holding only one rail became normal. I felt like I could even balance occasionally while riding.

Nick had us practice standing up balancing on the pedals, getting us accustomed to the various ways a rider must adapt to how the unicycle moves.
We practiced within the safety of the rails. Nick escorted each of us on a solo ride, holding onto his arm. While it was slow going, it was fun to consider some day I too could ride without assistance. Mind you, it will take a few classes to get there.

Nicole Tsong teaches yoga at studios around Seattle. Read her blog at papercraneyoga.com. Email: [email protected]. Benjamin Benschneider is a Pacific NW magazine staff photographer.

Festival of Flight!

Festival of Flight! May 2 & 31V0A8364
Spring Fly Show & Open House

 

Join us in the SANCA School of Flight flying trapeze tent for the Festival of Flight: Open House and Spring Fly show Extravaganza!

SANCAthon_2012_woman_FT_NonFictionMedia_02From 1-3pm each day we welcome flyers ages 4 and up to bring a non-perishable food item to support the Rainier Valley Food Bank & take one free swing during the open house! One turn per person. No advanced reservations. Flyer must be present to sign up for a turn.

On Saturday May 2nd, at 3pm we will welcome you to watch our Mini & Junior & Teen Fly Teams perform feats of derring do and amazing aerial tricks! We welcome you back to the tent again at 7pm for our Adult Team to show off their stuff.

On Sunday May 3rd, at 3pm we will invite you to watch our Adult Team perform acrobatic aerial tricks. Return to the tent again at 7pm to watch our Mini & Junior & Teen Fly Teams as they fly, twist, flip and dive through the air.

Lunch and treats will be available for purchase from some of Seattle’s favorite Food Trucks!

fly teams 1600x300

In the News: UW’s The Daily writes about SANCA

Circus school offers competition-free alternative athleticism

March 3, 2015 at 9:56 PM | Emily Muirhead

Nick Harden (far left) leads students through a warm up to get their muscles ready before splitting off into the different age grouped classes.  Photo by Seth Halleran

Nick Harden (far left) leads students through a warm up to get their muscles ready before splitting off into different classes. Photo by Seth Halleran

You don’t have to wait for the Ringling Bros. or Cirque du Soleil to come to town to catch a glimpse of the circus. Even better, you don’t have to be a trapeze or juggling master to participate in circus life either.

The School of Acrobatics & New Circus Arts (SANCA), located in Seattle’s Georgetown neighborhood, claims to be the largest circus school in the nation. Founded in 2004 with only five students, SANCA has now grown to serve more than 1,000 students in weekly classes and has served almost 50,000 people in all.

Some of these students include members of the UW community, such as database developer Jason Page, who works in the UW Information Technology department. Page grew up juggling and after hearing about SANCA’s classes from a friend, said he found a perfect fit.

“As soon as I walked in I knew it was nothing like the rest of Seattle,” Page said. “It was so friendly and I immediately fell in love with it. It’s all positive, no ego, no competition.”

Page spoke of the competitive nature he experienced while participating in other “fringe” physical activities, such as climbing or cycling, both of which tend to have welcoming communities, but can inevitably become competitive — a mindset he says simply does not exist at SANCA.

“In Seattle if you don’t like team sports there’s not a lot of options,” said Jo Montgomery, co-founder of SANCA with Chuck Johnson. “We offer an alternative. Part of it is the culture we’ve created here. It’s OK to fail because the important thing is to try, and to encourage others.”

Montgomery said the facility serves people of all ages and there is no skill limit.

Montgomery also leads the Every Body’s Circus school within SANCA, designed for youth with disabilities like spina bifida or visual or hearing impairment. These students work on the same basic skills every student aims to accomplish, with the added benefit of enhancing social skills specifically adapted to their needs. Every Body’s Circus partners with Seattle Children’s Hospital, where Montgomery is a nurse practitioner.

SANCA offers more than 50 classes each quarterly session, including unicycling, trampoline, strength and flexibility, aerial trapeze, and Chinese pole. SANCA even offers a one-time “pay per flight” trapeze class Fridays.

“You just have to work up the courage to swing once and see if you like it,” Montgomery said.

Montgomery said she has seen countless times how acrobatics classes enable first-time participants to get over fears of heights and perceived limitations of their bodies.

Amber Parker, a case manager with the UW Alcohol & Drug Abuse Institute, said SANCA has changed her both physically and mentally. She has been attending SANCA classes for eight months, with no plans of stopping.

Parker said after a life of poor body-image and self-esteem, she found solace in SANCA’s strength-and-flexibility and adult aerial classes, which encourage personal improvement instead of striving to be the best. She even started a blog called “The Fatcrobat,” as a testament to personal strides she has made in her physical ability and confidence because of unconditional support from SANCA classes and coaches.

“It’s changed my perspective on what I can actually do,” Parker said. “I never thought I could do anything like this, so now that I can it opens up the ‘I can do anything’ mindset. Nothing is off limits now.”

SANCA caters to professional performers as well. It often hosts gym time for performers from Teatro ZinZanni, or for artists in residence from groups such as IMPulse Circus Collective, The Acrobatic Conundrum, or Circus Syzygy.

Montgomery noted that when kids participating in classes see professional circus performers make mistakes, it shows them that struggling with a skill doesn’t have to be a disappointment, but can be inspiration for working toward personal goals at their own pace.

“Safety is huge here,” said Alyssa Hellrung, a part-time lecturer in the Gender, Women and Sexuality Studies department at the UW and an aerial trapeze coach. “But we do push kids physically and emotionally outside of their comfort zone.”

For those who have dreams of flying, the School of Flight program might be a good fit. Aside from SANCA’s main gym, which includes a tumble track trampoline, spring floors, climbing ribbons and poles, a “big top” and “tot room” for children, the trapezes are housed in an adjacent building designed for this literally high-reaching activity.

Hellrung sees SANCA classes as an opportunity for every type of person, regardless of body type or skill level, to learn what their bodies are capable of, and have some slightly unconventional fun.

“People assume that this is an insular world, but it’s not,” Hellrung said. “Not everyone feels sporty and this circus has room for everybody, even if you just want to learn to juggle. It still gives you the benefits of athletic activity without the pressure of having to compete at the end of every week.”

The circus often carries the stereotype of being a place for only those with strange skills such as contortionism, or having bizarre personalities. But SANCA strives to foster not only excellence in performance for most of its participants, but a personal confidence and welcoming environment over all else.

“I love telling people I’m in the circus,” Parker said. “Misconceptions open up dialogue. SANCA is really about fitness and community and connecting to other people.”

SANCA is located at 674 S. Orcas St. Visit their website, sancaseattle.org, for more information.

Reach writer Emily Muirhead at [email protected]. Twitter: @e_muirhead

Original story here: http://dailyuw.com/archive/2015/03/03/features/circus-school-offers-competition-free-alternative-athleticism#.VPcNdsauJRY

IMPulse Circus Collective presents Figments

FIGMENTS.poster.v2IMPulse Circus Collective, a Seattle-based circus troupe founded in 2013, will debut a new contemporary circus show as a part of the Moisture Festival. Shows will be at Broadway Performance Hall in Capitol Hill on April 10-12. This exciting, acrobatic show is appropriate for audiences of all ages.

Figments transports the audience into a world populated by imaginary friends that have been forgotten by the children who imagined them. This quirky group of imaginary friends must navigate the real issues of finding a place to belong in a make-believe world. Performers fly through the air and showcase amazing feats of acrobatic grace, strength, and beauty as they weave a whimsical tale.

IMPulse Circus Collective, artists-in-residence at Seattle’s School of Acrobatics & New Circus Arts, presented their first self-titled show in 2013, and returned in 2014 with their production entitled Bonkers. Members of IMPulse Circus have performed on stages and in circus rings throughout the world. They draw inspiration from the worlds of contemporary circus, vaudeville, and theater to create accessible and exciting circus shows.

Featuring artists Arne Bystrom, Emma Curtiss, Jasmine Manuel, Jonathan Rose, Marta Brown, Nick Harden, Reed Nakayama, Wendy Harden, and Zora Blade.

April 10 & 11 @ 7:30pm, April 13th @ 3pm

Tickets are $10 for youth, $15 for seniors, and $25 for adults. Tickets can be found at moisturefestival.strangertickets.com.
More information about IMPulse Circus Collective can be found at impulsecircus.com.

Acrobatic Conundrum presents “The Language of Chance”

Acrobatic Conundrum presents “The Language of Chance”

January 30 – February 8

For all dates and times and ticket link please visit http://sancaseattle.org/calendar/

SSCF_081514_Conundrum_TC_rope_cornicello_04Acrobatic Conundrum premieres “the Language of Chance”: two takes on contemporary circus, one extraordinary evening of new works.

Since its debut in 2012 Acrobatic Conundrum has taken artistic risks to inspire and connect with audiences through the medium of circus arts. “The Language of Chance,” follows suit on a grander scale, with two new works created exclusively for the troupe. Both pieces are inspired by themes from an enigmatic story from magical realist author Jorge Luis Borges, The Library of Babel.

Seattle choreographer/director KT Niehoff created the first piece, “A Book is not a Ladder,” in which contemporary dance and circus meld in a visually stunning world. Niehoff designed the striking set and costumes, and made the original sound score in collaboration with electronic musician Pietro Ravanni. In the piece, the acrobats find themselves at odds between the sensations of falling forever, and the Sisyphean task of looking for story in a nonsensical world.

Elizabeth Klob—director of the UMO Ensemble—created the second piece in collaboration with the company. The work evokes a tale of missed connections and serendipitous endings, told using through physical theater, clown, and circus arts. With an original scenography and additional music by Ravanni, the piece transports viewers on an unexpected, labyrinthian journey.

This group of acrobats blur the lines between dance, theater, and circus, inventing their own form of storytelling. This piece is the must-see circus event of the season.

Wasting Away

Wasting away tells the exciting and bizarre story of an idyllic small town that is slowly overrun by their accumulation of garbage. Seemingly oblivious to their predicament the town carries on with its joyous and acrobatic daily routine until the problem becomes too big to ignore. Full of humour and heart, this show presents an action-packed tale of conflict, growth, and cooperation that simultaneously offers social commentary and manages not to take itself too seriously.

Wasting Away includes all-new original acts on the Chinese pole, high flying partner acrobatics, tumbling, aerial fabric, contortion, club juggling, aerial rope, clowning, and much more.
Wasting Away is created and devised by the Directors and members of Cirrus Circus, with additional dance choreography by Rachel Randall, aerial choreography by Bridget Gunning, costume design by Milla Voellinger, set by Morgan Sobel, acrobatics consulting from Jacob Skeffington and select originally composed music by Tristan Moore.

Erica Rubinstein, Cirrus Circus Managing Director

Arne Bystrom, Cirrus Circus Assistant Director